Today, the IEEE Computer Society reported, via its Facebook page, on the 20th anniversary of NCSA Mosaic. This web browser, developed at the University of Illinois’ National Center for Supercomputing Applications, was distributed free of charge and its GUI interface was largely credited with sparking widespread interest in the Web.
As I reflect on my own 20-year anniversary as an Internet user, and as an almost-grad of the University of Illinois myself, this story caught my eye. Indeed, I experience something of a rush every time I have occasion to go over to NCSA, where a decorative plaque commemorates Mosaic and its contributions to computing.
My own first experience with Mosaic was somewhat inauspicious, however. In early 1994, I was working as a computer lab specialist in the Memorial InfoLab at the University of Wisconsin-Madison, the campus’s largest and busiest computer lab at the time. One day, I reported in to work and caught up with my colleague, Roger, as we strolled the floor of the lab. We stood in front of a row of Mac Quadras (the “pizza box” form factor), as they churned and labored to load something on their screens. It was an interface consisting of a greyish background and some kind of icon in the upper corner that seemed to indicate loading was in progress, but nothing came about (NB: this was more likely due to a lack of content or a choked network, given the time, than anything else inherent to Mosaic). Turning to Roger, I asked, “What _is_ that?”
“That,” he replied, “is NCSA Mosaic. It’s a World Wide Web browser. It’s the graphical Internet!”
My response was as instantaneous as a reflex as I sputtered out a disdainful reply. “Well,” I scoffed, “that’ll never take off. Everyone knows the Internet is a purely text-based medium.”
And the rest, they say, is history. Happy birthday, Mosaic.
It’s not every day that one’s wildest sci-fi inspired dreams are achieved, but yesterday was such a day.
Over the past few years, I have watched the quiet development of 3D printing unfold. It has been evolutionary rather than revolutionary, with innovations taking place in the rarefied domains of university R&D centers and labs, or in the basements and garages of tinkerers, hackers and makers – the kinds of gadgeteers and engineers willing to bang their heads against a problem until they triumph with a solution, and know that the headbanging part is the actual fun of it. As these printers (in reality, they’re something more akin to giant glue guns that can read instructions and move rapidly along x, y and z axes to produce objects by stacking layers measured in millimeters of thickness – here’s a good layman’s explanation of a few different types of printers available) have come down in price and increased in terms of ease and reliability, they have, predictably, been turning up in more and more places. They are coming out of the garages and into the light, and they are finding homes in community hackerspaces, fab labs, and even libraries.
My own city has benefited greatly by the presence of a fantastic collaborative hackerspace, open to the public via frequent classes, events and a monthly membership. Last night, Sector67 offered an intro to 3D printing, so, for $20 and two hours of time, I was treated to a five-person whirlwind tour of the state of the industry art by none other than Sector’s founder and extremely knowledgeable 3D printer nut, Chris Meyer. During our two hours, we were given an overview of all of the extant 3D printing material options: powder, ABS, PLA (a corn-based plastic that previously mostly functioned as a support system in commercial ABS product manufacturing). We walked through the various 3D printers out there, ranging from the ridiculously DIY (the RepRap, made from 3D-printed parts – a weird, amoeba-like thing to think about) to the very expensive and more functional than hackable (the MakerBot Replicator 2) We examined the output of each, discussed the potential faults and pitfalls of working with the printing control software, ReplicatorG, and – joy of joys! – my idea for production of a print was chosen by Chris as the example we would watch be created before our eyes while talking over the finer points of “jitter” and Skeinforge. We would be printing out a 3D version of a game tile from the popular German boardgame, the Settlers of Catan – with my apologies to the guy who wanted a camera case for his GoPro HeroHD camera.
I downloaded the plans for my gamepiece from the crowdsourced 3D site Thingiverse, and avoided a potential stumbling block when I discovered that the CAD-like STL files I had previously drooled over were nowhere to be found. Tabling that for a moment, I quickly found an alternative. We downloaded the files, picked one component (an “ore tile,” for any Settlers nerds out there), and started printing. 49 minutes later, and I had one lukewarm tile in my hot hands.
And here we get to the sci-fi dreams: look, simply put, watching this thing be created before my eyes was incredible. Anyone who has had a chance to come face to face with a functional version of one of these machines has undoubtedly gone away mesmerized, with visions of what they could do with one of these things in the context of rapid prototyping, proof-of-concept testing, materials development (think: plastic textiles, printed on demand), and just plain fun. Where could any harm lie?
Well, it turns out that there is a potential dark cloud on the horizon for 3D printing. When I got home, I did some poking around, looking for the initial Settlers of Catan 3D boardpiece files that had initially piqued my interest in 3D printing as a technology with personal significance a couple years ago. I even remembered the username of the user on Thingiverse who had created them: Sublime. While I found many references to Sublime and his/her awesome game pieces, all links led me to a big, fat, dead end – and possibly the best 404 I’ve ever seen. What had happened to Sublime, and to the Catan plans? Well, it looks like a cold wind blew into the 3D printing universe: the chilling effect specter of copyright.
And while I couldn’t find Sublime anywhere, I did find this Public Knowledge post that suggested that a. Sublime was getting nervous about potential infringement and b. there was likely no infringement going on. After all, as PK pointed out, “…the pieces themselves are not even distributed. Instead, if you want the pieces you need to download the files, boot up your 3D printer, and make them yourself.” This post is related to a larger whitepaper that PK authored, aptly entitled, “It Will Be Awesome if They Don’t Screw it Up.” This contribution delves further into specifics of original product creation, the making of copies, the nature of patent, trademark and other relevant issues. Yet the title says it all: given that we are still dealing with an ongoing culture and legal war over what constitutes ownership over IP with digital material contained in computer files and compiled of 1s and 0s, it seems unlikely that the introduction of the ability to create tangible, functional 3D objects – or, more to the point, to _replicate_ extant ones – will have clear-cut solutions or yield easily divined answers. Further, it’s not as if legal posturing and wrangling of the past 15 years has slowed the trade in copyrighted materials in the slightest. How long until we see the flip, dark side of Thingiverse, a Pirate Bay for files pulled for copyright infringement , illicit materials, weapons? The latter is not pure conjecture; a smart-alecky law student type from Texas has made his share of headlines with his dream to freely distribute handgun blueprints for DIY arsenal-builders.
Given this, are we likely to, as PK puts it, spoil everything by screwing it up? As 3D printing technology is poised on the verge of making a leap from the esoteric to the commonplace and from the rare to the ubiquitous, questions about the technology with invariably shift, from “Can we do this?” to “Should we?” Meanwhile, I plan to book as much time at Sector67 as I can to get my board printed out before it’s too late.
A special shout-out to the students of LIS 502LE, visiting this blog at the end of their hard work in the inaugural intersession LEEP Foundations in LIS course. Congrats on a job well done, everyone!!
My blog posting has been on the wane of late, but it has been for a good reason. Work on my dissertation has continued apace, which means I’ve been putting the vast majority of my writing efforts towards it and fewer here. That having been said, I relish this space as a great starting point to help me work out my thoughts and capture issues as they are unfolding – your comments and participation are a great help to me, in that end, and I appreciate greatly the participation of those of you who read this site. I look forward to our conversations in the coming year. Thank you!
One of the few things I’ve been able to give time to that is not directly tied to my dissertation work has been to switch a good portion of my computing to an open source platform. I’ve been a Mac user since the late 1980s and online (on the Internet) for just about 20. In that time, I’ve watched with interest as the open source software movement, in general, and Linux, in particular, have gained momentum and a following. My own attempts at using Linux spans pretty much its entire existence, and I’ve tried more distros than I can remember – Red Hat, NetBSD/FreeBSD, Ubuntu are the ones that are coming easily to mind. Because extraneous PC hardware upon which to run the Linux flavors was often out of my grasp, or the technical acumen required to run the OSes lost out to my ease of use and familiarity with my OS of everyday choice, MacOS, many of my attempts to work Linux into my own computing life ended prematurely.
My increasing frustration with the restrictions being placed on Mac OS, and its increasing iOS-ization, as well as my disdain for both the experience of Windows and the practices of its maker, led me to put a call forth to my friends for the headlines on the state of the art of Linux computing. The call was met with a unanimous response: check out Linux Mint. This elegant, aesthetically lovely project, led by Clément Lefebvre and teams of many other volunteers and based off a branch of the Ubuntu distro, was also reported to be easy to use, user-friendly and accessible (at least as far as Linux goes). I was ready to take the plunge and, along with a friend, we installed Linux Mint 14 on our refurbed Lenovo laptops that we have for Windows emergencies (when we are forced to run Windows for some task or other). He was a Linux newbie and I, more of a veteran, but also with a steep uphill battle to getting my chops back. To our delight, the OS installed with ease and we were up and running, and using, Mint – and abandoning Windows – almost immediately.
Part of my joy in this process has been discovering the open source analogues to so many of the software packages and processes that everyone I know of, including myself, has come to rely upon. Many I already knew of and had used in the past (e.g., Gimp), but so many more of them have come so far even since my last attempt at getting serious with Ubuntu, about five or six years ago, that it’s been a great pleasure to find out what is truly possible while running under Linux. All of my everyday necessities are working nicely: productivity software, Zotero (and its hooks into other apps), browsers and net utilities, graphics and audio apps, and so on. And there is great pleasure, too, in being able to get under the hood and really crank around in the file system from the command line (I remember my thrill when I first was able to score a Unix shell account at the University of Wisconsin in my freshman year, by joining up with a computer club pretty much in name only).
I also appreciate so much the politics of what Linux, specifically, and many open source projects, in general, represent: another model, and an alternative way of doing things that challenges the status quo and conventional wisdom that major projects like this can only succeed when driven by a profit motive. Mint, and other projects like it, relies on a healthy community of developers and users who engage in mutual aid and assistance, and welcome newcomers. My hat goes off, for example, to the fellow who stayed up with me into the wee hours of the morning a number days ago, as we worked together to troubleshoot a particularly tricky dual-boot issue that challenged my knowledge and solo skillset. I have thought about this today in particular while waiting on endless hold today to get a hold of someone at Microsoft in order to “unlock” the OS (Windows 8) that I already paid for, and yet can’t fully use.
With the increase in tethered devices (e.g., smart phones; tablet computers) and a philosophy of closed, proprietary computing only increasing in prevalence, my switch to Mint has brought with it a surprising feeling of freedom and of possibility – the same kind I used to have when I first ventured online in the early 1990s, and imagined what could be in the new world of information and social interaction that I discovered there. If you, like me, are feeling constrained by the artificial blocks, locks and relationships being imposed on you by your reliance on commercial OSes and all that those relationships entail – financial obligation, limitations on use, surveillance, etc. – then I urge you to give Linux Mint – or any flavor of an alternative OS – a try. Report back and let me know how it goes. I’ll be eager to hear what you have to say.
Happy new year to all!
On September 20th, I had the pleasure of traveling to the Illinois Institute of Technology to deliver the first talk in IIT’s fall series, “Defining Boundaries and Goals in the Digital Humanities.” My talk, entitled, “Digital Humanity: Foregrounding Human Traces in Technological Systems (and Why We Should Care),” was followed by a lively and engaging Q&A session with faculty, grad students and staff. In addition to discussing the current state of, and the potential for, the digital humanities to highlight and unveil human traces in digital technologies, we talked about platforms that provide the potential for humanizing digital tools and creating space for alternative perspectives in technical systems; indeed, the Raspberry Pi that I brought along was a particular hit. The abstract for the talk follows below; thanks to Dr. Marie Hicks and all those at IIT who made my visit such a treat.
Taken from the perspective of the academy’s long view, the “digital humanities” as a concept is nascent and its precise definition remains a moving target, with a variety of methods, disciplinary perspectives and approaches finding a home under its ample umbrella. Yet the fluidity around its precise meaning affords opportunities for scholars to apply the critical lens of the humanities to the study of the digital, and to ask questions about who benefits, how and why, in the context of an ever-increasingly networked, computerized and digitally enclosed world.
In this talk, I will discuss current research in and several practical applications of technology that foreground the humanity in the digital and that offer and model alternatives. In some cases, these examples unveil hidden or obfuscated traces of humans within digital systems, literally and in the abstract – in labor, representations, and by other means – and the implications that such erasures engender. I will also highlight practical examples of platforms, systems and tools that endeavor to challenge existing paradigms extant in many mainstream or instantiated technical systems. This talk is intended as interactive dialog with opportunity for the audience to offer their own experiences, tools and solutions for discussion and inspiration.
As reported by Reuters and picked up in the Huffington Post, Facebook today released a confusing infographic ostensibly designed to shed light on the cryptic route that reported content takes through the company’s circuit of screening.
According to the company, content flagged as inappropriate, for any one of myriad reasons, makes its way to “…staffers in several offices around the world to handle the millions of user reports it receives every week about everything from spam to threats of violence.” Reasons cited in the infographic that may cause material to be reported include content that is sexually explicit, involves harm to self or others, depicts graphic violence, contains hate speech, and so on.
What the infographic and accompanying statement from Facebook fail to do is to suggest what amount of content is routed through this circuit, and how much of a problem addressing problematic user-generated content (UGC) routinely tends to be. In reviewing the infographic, the lack of real information it provided about workers, the nature of this issue and the nature of the content being flagged left me thinking of the old disparaging computing phrase of “security through obscurity;” the infographic offers protection to Facebook by revealing very little of import. It is obscurity through ostensible transparency.
Critically lacking, for example, is a lack of discussion of the working conditions for the “staffers…around the world” who contend with this material as a major function of their job. Are these staffers full-time Facebook employees, afforded the status and benefits commensurate with their positions? As other reporting has already indicated, and as I have discussed in another entry on this site, Facebook indeed employs micro-work sites such as oDesk and others to conduct these moderation and review practices. The workers engaged in the digital piecework as offered on micro-work sites are afforded no protections or benefits whatsoever, and do not even benefit from the ability to commiserate with other workers about the content they view as a condition of their work.
In this way, Facebook benefits from the lack of accountability that comes with introducing secondary and tertiary contracting firms into the cycle of production – a fact that is critically absent from the infographic above. Workers engaged as moderators through digital piecework sites are isolated, with few (if any) options for connecting – for emotional support as well as for labor organizing – with other workers in similar conditions, and without any real connection to the worksites of origin from which the content emanates. While the micro-work sites and the major corporations that engage them may tout the ability to draw on expertise from a global labor marketplace, in practice even the New York Times notes that these temporary work relationships result in lost payroll tax revenue for companies such as the US when labor is outsourced, and note that increases in these kinds of labor pools are significant in Greece and Spain, countries devastated by economic crisis and crippling “austerity” measures. Notably absent, however, from the NYT piece is any discussion of the bargain-basement rates that drive the value of the labor down to the lowest bidder, by design. The connection between economic crisis in a region and an increase in the availability competent labor that is exceedingly cheap cannot be lost here.
Of course, one cannot reasonably expect Facebook or any other company to ease the way for workers to organize and push back against unpleasant work conditions and unfair labor arrangements; this, after all, is one of the features of outsourcing and using intermediaries to supply the labor pool in the first place, along with the lack of regulation and oversight that these arrangements also offer. In response, non-traditional organization among workers in these sectors is taking place, such as in India, where UNITES Professionals have issued a charter for IT and call center workers, and the Precarious Workers’ Brigade, whose focus is educational and cultural workers, but whose model and scope could certainly conceivably be extended to workers engaged in screening and moderation.
This Friday, the University of Wisconsin-Milwaukee’s School of Information Studies (SOIS), along with co-conveners School of Library and Information Studies (SLIS), UW-Madison, and the Graduate School of Library and Information Science (GSLIS) at the University of Illinois at Urbana-Champaign, will come together to present, “Out of the Attic and into the Stacks: Feminism in LIS,” an unconference (March 9-11, Milwaukee, WI).
Why feminism in LIS now? Simply put, the situation for women hasn’t felt this dire in years. As a divisive and acerbic Republican primary season has gripped the country, women have taken center-stage in a resurgence of the culture wars reminiscent, in tone, of the early 90s and in position of perhaps even another few decades previous. And while so-called ”women’s issues” have dominated the headlines, the climate has extended to other easy targets. Last fall, a Virginia-based “think tank” specializing in the eradication of race-based admissions preferences in colleges descended upon the University of Wisconsin-Madison, eager to pick a fight and cause derision at the campus. Throwing conservative “states’ rights” values out the window in order to meddle with the inner workers of the state’s flagship university, the visiting director of the center dished out arguments that seemed directly ripped from the pages of The Bell Curve, a book I thought long ago discredited, in a debate I attended along with hundreds of others. Like being trapped in some kind of time machine or Twilight Zone, I remarked to a friend that all that was needed was an appearance by Dinesh D’Souza sporting Hammer pants, and the return to 1990 would be complete.
Yet, in 2012, it’s as if the past years of social gains and progress in the arena of the standing of women never happened, either. Enter “Out of the Attic and into the Stacks,” in which participants will gather together to talk about the current climate for all women, using the perspective and lens of LIS to inform and ignite the conversation.
From my own perspective, I certainly see the issues facing women today from multiple fronts with many intersections. Pragmatic issues such as lack of access to key resources, women and children living in poverty, lack of educational and reasonable employment prospects, and so on, are at the fore on many of our minds, as are the situations and issues of particular relevance to women of color and LGBT-identified women, all of which the unconference plans to bring into the discussion. From a political perspective, too, I hope to get to grips alongside my unconference colleagues with the current scapegoating and targeting of women, using historical and theoretical frameworks that are applicable. Multiple feminisms will be key to these discussions, and many exciting resources have been identified on the unconference’s wiki, to which all participants may contribute.
I also view this situation from an informational lens. Not only are women’s access to services in health care, reproductive and pre-natal care, equal pay, and a host of other hard-earned rights being threatened or rescinded, full-stop, but, crucially, women’s access to information about their rights and services available to them are also disappearing. State legislatures have been busily curtailing or otherwise interfering with what women can know and when they can know it about abortion services, contraception and other information vital to their reproductive and overall health; similar debates have raged at the federal level and are featuring in the Republican presidential primaries. All of this offers a backdrop conducive to a general cultural climate in which Rush Limbaugh thought it would be fine to refer to a Georgetown Law student seeking birth control access in a hearing before Congress as a “slut” or a “prostitute” over 50 times - as if such a status should render women ineligible for health care or the most basic common courtesy. At least he seems to have misfired on this particular episode, but as Sandra Fluke (the target of his misogynistic outbursts) and others point out, the real issue is not Limbaugh’s attention-seeking behavior, but the legislative and other political maneuvers that lie behind it, and other anti-women actions and sentiment that are their outcome.
For those of us LIS students, practitioners, and scholars who will be taking part in the unconference this weekend, both hope and energy is running high. With time spent together discussing the collective state of feminism, women and social justice topics, in general, my hope is to emerge with some concrete (re)dedications and linkages of the role of and opportunities for LIS to the social issues and lacks that are plaguing our society – with some more than others bearing the heavy burden of the disturbing trends I’ve outlined. Seeing that the unconference will be taking place Milwaukee, a once vibrant and now devastated Midwestern urban center and now one of the country’s leaders in infant mortality, the stakes could not be higher. This is about so much more than women. This is about us all.
In the past few days my inbox has seen an influx in forwards from friends and colleagues, all sharing links with me covering the recent revelation that Facebook outsources some of its dirtiest work, and that those firms handling Facebook’s outsourced labor pay exploitatively low wages for some of the most psychologically damaging digital work imaginable: the screening of user-uploaded content (posts, images and videos) to Facebook. My colleagues sent these links my way for good reason: this topic has been the primary subject of my own academic research for the past year and a half, ever since I discovered these content moderation practices through a small news story in the New York Times. After reading it, I became riveted both by the workers and the industry it portrayed, as well as by the implications of this practice in the greater digital media/social media ecology. How do these practices change our collective notions of participatory media and understandings of the costs – financial and human – to use said media? What does it mean about the nature of our online participation, at one time heralded as a great direct-access equalizer, to know that content undergoes screening by unknown agents, who are often low-paid and low-status? What is it about the nature of social media that may encourage the creation and uploading of prurient, shocking or just-this-side of bearable content to be shared? Who benefits from such material? Who is put at risk? I wanted to explore, too, the impetus to conceal or render invisible these labor practices, virtually unknown to those outside the industry and yet an integral part of the production chain of user-generated digital media. These were just a few of a veritable laundry list of questions I generated based on my initial research on this topic. Since then, I have been documenting and writing about these labor practices and the workers involved, mapping them both in terms of their material nature as well as from a theoretical perspective, in my dissertation, Behind the Screen: The Hidden Digital Labor of Online Content Moderators.
Meanwhile, the latest chapter in the popular press’s up-until-now scant coverage of the story transpired just last week, when Gawker’s Adrian Chen filed his post entitled, “Inside Facebook’s Outsourced Anti-Porn and Gore Brigade, Where ‘Camel Toes’ are More Offensive Than ‘Crushed Heads’.” Chen’s story focused on practices at Facebook which, he discovered, takes place largely via outsourcing and micro-labor market oDesk see Brett Caraway‘s 2010 article referenced below for a nice overview of that company’s practices). Chen’s article is remarkable in a number of ways: first, he was able to focus on real-world examples shared with him by the workers themselves, most of whom are no longer working for Facebook via oDesk, and many of whom are located outside the US and in the so-called “Global South.” The workers’ accounts give concrete examples of both the kinds of egregious and trauma-inducing material they were exposed to, on the one hand, while on the other being paid wages that would seem to be nowhere near reasonable given the hazards of the work. Here it is interesting to note that much of the outsourced labor that takes place at sites like oDesk or at Amazon’s Mechanical Turk is undertaken on a per-item basis, so that workers are paid based on the number of items they are able to screen; I have taken to describing this practice as “digital piecework.” Secondly, Chen was able to provide the Gawker readership, thanks to the workers he interviewed, with a number of internal documents from oDesk, used for training and quality control by the content screeners. This type of material is generally not available for public view and is considered insider business knowledge; not making it public allows a company to maintain ambiguity about its screening and censoring practices via more general “user guideline”-style statements that give it plenty of room in which to operate when making subjective content screening decisions. This angle was another particular focus of Chen’s piece, where he pointed out the strange hierarchy of material, and how it is to be adjudicated by the screeners. While Chen’s piece, and subsequent takes on it in the blogosphere and in other sensationalistic coverage online, focus on the admittedly disconcerting nature of the material Facebook rejects, the more compelling facts rest just below the surface.
The paradox of digital material is its ability to disappear: despite a potentially infinite lifetime and no degredation of quality as suffered over time by their analog media counterparts, digital objects are only as good as the ability to find them – to avoid, in essence, digital ephemerality. These are themes that are not unfamiliar to those who work in digital archives or in LIS, in general, and those attuned to such issues who have also been active in the recent digital-media informed new social protest movements have seen this digital emphemerality for the problem it is. For example, the Wisconsin Union (#wiunion on Twitter) protests of early 2011 produced a wealth of born-digital documents and material, subsequently scattered across the digital landscape and subject to the personal archival practices of the people who created it. You can find this material on YouTube, Vimeo, Flickr, or on the private Facebook accounts of any number of the multitude of protestors involved in the events – as long as you know where to look. In the latter case, if you’re like me, your collection is behind a privacy barrier and in a heavily-curated account, where only “friends” can access the material. In the worst cases, the digital video and photos are still sitting on a flash card in someone’s Flip cam or iPhone, waiting to be uploaded but frozen in stasis and on the To-Do list that never gets done.
In yet other cases, there is a plethora of physical material – hand-outs, flyers, posters, etc. – that is not yet widely easily available or may not exist in digital form and runs the risk of disappearing altogether if it is not curated and digitized. I have saved countless handouts from the TAA, the WEA and other organizations that fits this bill and have anxiously looked at it stacked in a forlorn corner of my desk, wondering when and how I’ll get around to dealing with it.
Enter the Wisconsin Uprising Archive, a collaboration of UW-Madison School of Library and Information Studies graduate and librarian Keely Merchant and WYOU Community Television, under the supervision of that organization’s Board member Luciano Matheron and longtime political activist Barbara Vedder, a Dane County Supervisor. According to the Archive’s mission statement, “The mission of the Wisconsin Uprising Archive is to collect and preserve materials related to the democratic uprising that started in Wisconsin in February 2011. Examples of materials include, but are not limited to, videos, photographs, pamphlets, and audio. The materials will be accessible to all online with the goal of advancing the awareness of events to the general population as well as for educational uses by teachers and students of all ages. A further goal is to aid the production of documentaries about the events of the time by becoming a permanent repository in partnership with other institutions.”
Indeed, just as Wisconsin’s uprising of the spring served as a prescient springboard for the social justice protests that have spawned since around the country, so, too, does this Archive serve as a foreward-thinking and necessary companion to the protests as they happen. Not only do they serve to document the vast array of people-created media from the on-the-ground activities, allowing researchers and other interested parties to deal with primary-source materials when working on projects related to the events, but it gives a rare non-corporate outlet for people to contribute and house their materials. This is no small feat, in an era where most everyone’s go-to distribution channel of choice is a deeply corporate enterprise whose privacy and other practices are outside the control of the users, with voracious intellectual property appetites that often demanding the surrendering of user ownership of material in perpetuity. Is that truly the best outlet to document social resistance movements? Furthermore, with user-generated social media increasingly thrust into the spotlight as one of the few power-leveling mechanisms available to protestors, being able to house and preserve digital media in this way will continue to grow in importance. This week’s shocking video from UC-Davis capturing campus police using pepper spray on seated Occupy students (and the subsequent powerful video of Chancellor Linda Katehi walking past throngs of silently-protesting students without comment) is only the latest example in which on-the-ground, organic media created by participants in resistance movements continues to send shockwaves around the world. Indeed, this particular clip sparked outrage throughout the country and the Police Chief of the UC-Davis police has been put on leave. A the #OWS movement grows and other social justice movements continue to document their struggles using participant-generated digital media, the need for projects like the Wisconsin Uprising Archive will continue to grow. With luck and with coordination, this project can serve as a model to other people and movements around the country, who undoubtedly have a similar need to preserve and document this history in the making.
1 minute, ten seconds.
That’s how long I withstood a viewing of the video, posted on October 27th and now approaching two million views, of Hillary Adams, aged 16 at the time, being viciously beaten by her father, Aransas Co. family court Judge William Adams. In 2004, Hillary Adams was caught accessing content online for which she hadn’t paid, an act that enraged her father and prompted Hillary to turn on a camera she had hidden in her room to capture just such an event (apparently the beating caught on video in this incident was not without precedent).
Indeed, Judge Adams unleashes a torrent of verbal and physical abuse so profoundly violent, disturbing and out of proportion in any case, much less given the circumstances of this one as reported by his daughter, that I was unable to take any more after only 70 seconds. Hillary Adams endured the beating for seven minutes. According to published reports across the Web, the video carries on for the entirety of that beating, during which time Judge Williams threatens to hit his daughter in the face with a belt, enlists his (now ex-)wife to assist in the abuse (not atypical behavior in family abuse situations in which a tyrannical adult holds an entire family hostage) and actually leaves the room only to come back for a second round with another belt and possibly a board.
And while this tragic and sickening event may not have been without precedent in the Adams home – by all accounts, an upper-middle class, suburban arrangement in a town on Texas’s Gulf Coast – the fact that such a video a. has gone viral and b. was posted by the victim depicted within it certainly seems to be. That Hillary Adams enlisted YouTube as her distribution channel for the video has not been lost on many commentators around the Web, who have noted with sad irony that it was Adams’ use of the Internet in the first place that brought the wrath of her father upon her – not that any child can be held to blame for the violent actions of an adult. And as is abundantly clear in the brief moments I was able to stomach of this video, there is no behavior imaginable so heinous as to merit the vicious sadism of Judge Adams’ attack.
Since February 12th, I have been involved in participating in and documenting the protests against Wisconsin Governor Scott Walker’s “budget repair bill,” underway at the State Capitol in Madison, WI. As an academic engaged with issues of both labor as well as critical media scholarship, I have been keenly aware of the peculiar situation of being both directly involved in the protests while attempting to think about them in the context of my academic work, and in terms of larger-scale sociocultural movements of the past 30+ years. Throughout the past three weeks, I’ve found myself routinely returning to a position of negotiation between my public and private, political and professional, student, academic and grassroots self. Of course, the binarisms of these juxtapositions are false from the get-go, but perhaps the negotiation process has been made more apparent and more acute as I’ve found myself, moment-to-moment, simultaneously making decisions, documenting, responding to developments online and off, and simply facing the challenge of extended time periods in very cold weather.
Radical author/artist/activist/zinester Sloan Lesbowitz contacted me and asked me if I’d be willing to talk to her about what has been going on in Madison, in part, in the context of the online technologies and media (e.g., Twitter; Facebook) at the center of so much attention and activity in Madison and elsewhere in the world. Her questions were so thoughtful and provoked so much reflection in me that I asked her if I might share it with others. With Sloan’s permission, the conversation is posted below, with a few modifications as needed (and the original can be found here and here). I hope it is of interest.