The third in a series of conferences focused on digital labor will take place from November 14-16 in New York City. The event is open to to all and registration is free. Trebor Scholz, the visionary behind the series, shared the following words about his hopes for this fall's conference, which I have reprinted below. My… Continue reading Digital Labor: Sweatshops, Picket Lines, Barricades [#dl14]
Call for Proposals DIGITAL LABOR: SWEATSHOPS, PICKET LINES, AND BARRICADES To be held at The New School, a university in New York City NOVEMBER 14-16, 2014 #dl14 The third in The New School's Politics of Digital Culture Conference Series Sponsored by The New School and The Institute for Distributed Creativity Digital Labor: The Internet as… Continue reading Exciting CFP: DIGITAL LABOR: SWEATSHOPS, PICKET LINES, AND BARRICADES, the New School, NYC, NOVEMBER 14-16, 2014
It's been a whirlwind of a week in Dublin, Ireland, as I've been visiting with colleagues and participating in IAMCR13. The conference has been time well spent, with a critical mass of critical media and communications scholars assembled in one place to talk about very real issues. At the fore has been that of continued… Continue reading IAMCR 13 in Dublin – A Report from Our Panel
I'm back in Sweden, this time in Uppsala, on the campus of the university of the same name, to attend the 4th meeting of ICTs and Society. Convened by Christian Fuchs and colleagues, this fascinating lineup features timely discussions of, among other things, global capitalism, information and knowledge labor/labor in ICT, organization, theories of "the… Continue reading 4th ICTs and Society: Critique, Democracy, and Philosophy in 21st Century Information Society, Uppsala May 2 – May 4, 2012
Theodor Adorno's primary critiques in the selections brought together in Routledge's The Culture Industry focus on what can be termed generally mass culture (or, to use the term he coined along with Horkheimer, "the culture industry"), being those artifacts which are mass-produced, reproduced, distributed - both as the means and the end to advertise, promote and consume the products. The result is that what was once the province of cultural output such as artistic expression is reduced instead to artifacts and emblems of products and commodities; this then becomes the common cultural currency. Advertising stands in for art, and cultural objects are created expressly for consumption - by necessity, as a result of their mass-production - and to generate capital.